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THE DIGITAL STUDIO, June 19-20 Wyndham Belage
Home


Friday, June 20, 2003

Agenda, Day 2

(Agenda is updated daily so please check regularly for speaker and session updates.)

9:00-9:30 AM Registration and Networking Breakfast

9:30 - 10:00 Keynote

Your High-Def (3D)  Future

Chuck Comisky, Visual Effects Supervisor (Earthship Productions), Producer, James Cameron's Ghosts of the Abyss and MCA Theme Park Attraction, Terminator 2-3D, discusses how new high-definition and 3D technologies are transforming entertainment.

10:00-11:15   Supersession Panel

High-Definition in Focus
High definition image acquisition, movies and television are already changing the entertainment landscape. But expensive production, talent shortages and lack of programming still stymies wider adoption. Directors, studio executives and others consider HD's present and its future.

  • Randall Dark, HD Vision Studios, President and Co-founder, HD Vision Studios
  • Steve Schklair, Cobalt Entertainment, Founder and Principal
  • Chuck Comisky, Earthship Productions, Visual Effects Supervisor
  • John Coghill, DALSA, Director General Manager, Digital Cinema
  • Pete Fasciano, Avid Technology, Corporate Fellow, Advance Development
  • Moderator: Michael Stroud

11:20-12:15 Break   CNN Coverage of War in Iraq
How Digital Technology Transformed War Coverage

Featuring: Kevin Sites, CNN News War Correspondent

Live Demo of Satphone Videophone (Video-Tele-Conference via Satellite-phone) used by CNN to Cover the War

John Stoltz, GCS (Global Communications Solutions) interviewing live

Dick Tauber, CNN Vice President of Satellites, based  at CNN in Atlanta


12:15-1:00 Showcase Expo Hall Open
Lunch for Deluxe Ticket holders

1:00 - 2:00 Breakout Sessions One

Track I-Grand Salon
Sponsored Demonstration

Can Asset Management Increase Competitiveness?

NXN Software, Neil Leshner

Managing Your Digital Assets
Maximizing your content's value means the ability to deploy it across a range of media -- DVDs and video, broadcasting and cable, the Internet. It means instant delivery of information --, whether that's digital delivery of dailies between teams on two coasts, or syndication fulfillment. We examine how top players are managing digital assets.

  • Carl Hixson, HBO, Director of Technologies
  • David Lipsey, Artesia Technologies, Vice President Media and Entertainment
  • Ernie Cicogna, NXN Software, General Manager
  • Matthew White, National Geographic Television & Film, Vice President, Film Library
  • Michael Anderson, Huge Systems, Chief Technical Officer
  • Moderator: Kevin Hause, Screen Digest, Vice President Americans Research



Track II-Royal Salon II
Re-Animating Film and TV.
A look at how digital technology is reshaping the creative output and workflow for professional animators, including: mixing computer and hand animation techniques; long-distance collaboration; and what's next for computer generated animation.

  • Mark Drop, Producer, Recess (Disney)
  • Tim Jones, VP Production, Animax
  • Michael Isner, West Coast Lead, Special Projects, Softimage
  • Moderator: Dan Restuccio, Post Magazine, West Coast Editor

2:15 to 3:15 Breakout Sessions Two

Track I--Grand Salon

Sponsored Demonstration - Huge Systems

Mastering the Digital Desktop
A workshop on using Final Cut Pro, Avid, Quantel and other video desktop tools to create award-winning television and film productions. Discussion will feature a case study of how Final Cut Pro was used in NBC's Scrubs. Topics include breakthroughs in workstation-based workflow, selecting editing software, and working in high-def formats.

  • Rami Katrib, Founder and Final Cut Pro specialist, DigitalFilm Tree

Track II--Royal Salon I
What Rights?

No sooner had studios distributed DVDs to the Academy for Oscar reviews than some were pirated, according to the L.A. Times. New personal video recorders and DVD recorders give consumers the ability to record TV shows and movies and zap them over the Internet to 10 of their favorite friends. How do we develop a DRM strategy when balancing the protection of content creators' interests against consumer expectations?

  • William Marks, Walt Disney Company, Director of Business Development
  • Doug Olin, Attorney and specialist in Intellectual Property Rights Protection
  • Moderator: Max Donner, independent journalist and Orange County Weekly


Track III
-Royal Salon II
Nurturing Talent in the Digital Age

(Sponsored by the Motion Picture Editors Guild)
It's not enough to understand software and workflow. How will the next generation of editors, isolated in their cubicles, acquire the aesthetic and relationship skills their craft demands? Leading Motion Picture Editors Guild members provide the answers.

  • Lori Coleman, Editor
  • Patrick Gregston, Editor
  • Stephen Lovejoy, Editor
  • Alan Heim, Editor

3:15 to 3:45  Networking and Product Showcase

Conference Ends.


 

Home  

Sponsors

Silver



IBM

Bronze

Exhibitor

Sony

AV Partners

Wilshire Screening Room


 

MEDIA SPONSORS:

Rogers Cowan | Weber Shandwick Entertainment Marketing

BusinessWire

EMedia

WWPI's Storage & Entertainment

Post


ITA - Interactive Television Alliance

SCRI

Speakers

Keynote Speakers:


Volker Engel

Volker Engel

Uncharted Territory

Steve Wright

Technical Director, Cinesite

Speakers Include:

  • 16 x 9 Productions,
    Kristen Cox, President & CEO
  • Aarmadillo
    Colin Ritchie,
    Founder
  • Adobe
    Dave Trescot, Director, Dynamic Media Group
  • Artesia Technologies,
    David Lipsey, Vice President Media and Entertainment
  • Avid Technology
    Pete Fasciano
  • Bernie Laramie, Television Producer (Credits include, CSI, Profiler)
  • Cinesite
    Steven Wright, Technical Director
  • DALSA
    John Coghill, Director General Manager, Digital Cinema
  • DigitalFilm Tree,
    Ramy Katrib, Founder
  • Discreet
    Joe Klingler, Vice President of Software
  • Disney Studios
    Mark Drop, Producer Lloyd in Space (Show in development); Producer, Recess
  • DMOD, Inc.
    Tom Ohanian, Vice President of Product Development
  • Dolby Labs
    David Gray, Vice President, Production Services
  • Dreamworks
    Alex MacDowell, Production Designer, Minority Report and Cat in the Hat (DreamWorks)
  • Dreamworks
    Ron Frankel, Previsualization Supervisor,
    The Cat in the Hat (DreamWorks); Panic Room (Columbia Pictures)
  • Earthship Productions,
    Chuck Comiskey, Producer and Visual Effects Supervisor (Producer credits include Terminator 2 3D; Ghosts of the Abyss)
  • HBO
    Carl Hixson, Director of Digital Technology
  • Huge Systems
    Michael Anderson, Chief Technical Officer
  • IBM
    Steve Canepa
  • LaserPacific
    Leon Silverman, Executive Vice President
  • FotoKem
    Chad Knowles, General Manager, Digital Media Group
  • HD Vision Studios
    Randall Dark, President and Co-founder
  • Hollywood Reporter
    Chris Marlowe, Technology/New Media Associate Editor
  • MGM Studios, Bruce Markoe, VP Post Production
  • NXN Software
    Ernie Cicogna,
    General Manager
  • Pixel Magic
    Ray McIntyre, Jr.

    President and Head of Digital Effects
  • Technicolor Creative Services
    Richard Andrews, President
  • Technicolor, Kirk Kessler, Vice President of Digital Media
  • Uncharted Territory
    Volker Engel , CEO and Co-Founder, Academy Award Winner, Visual Effects, Independence Day
  • Walt Disney Company
    William Marks, Director of Business Development
  • Zoic Studios
    Emile Edwin Smith, Computer Graphics and Special Effects Supervisor (Projects include: Excelerant, Firefly (Fox TV)

    Century City, NYPD 2069, Battlestar Gallactica, Buffy Series Finale)

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